Category: ownvoices

Interview: Elizabeth Wambheim

Today we’re joined by Elizabeth Wambheim. Elizabeth is a phenomenal author who writes novels, novellas, and short stories. All her work features ace protagonists (how awesome is that!?) and it mostly falls in the fantasy genre. She has already written an ace retelling of Beauty and the Beast. She has also written a novel about the relationship between a male shepherd and a Viking woman. It’s clear she’s an incredibly passionate and creative individual who loves what she does, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about
your art.

I am the author of a small (so far!) body
of published works that feature asexual protagonists and asexual relationships.
My biggest work so far has been a novel titled More Than Enough which is
a gay/ace retelling of Beauty and the Beast. My first piece was a
novella titled Wolves in the Fold about a male shepherd and a female
Viking navigating a relationship as well as language barriers. I love writing
fantasy; reworking fairy tales; and establishing soft, supportive relationships
between characters.

What inspires you?

Just about everything! Books, movies,
television shows, video games, and even music can be a source of inspiration.
If something catches at my attention, I file it away for use somewhere. My
first story in high school had an ensemble casts because I loved the
friendship/team dynamics between the four to eight main characters in the Tales
series of video games.

Real-world relationships are also
inspiring; if I notice an interesting dynamic between two people (be they
friends, family, or coworkers), I’ll make a mental note of it and it might wind
up as the building block of a fictional relationship. I also make use of
personal experiences: I like to be able to step inside my characters and
describe the way their emotions affect them physically. The easiest way for me
to do that is to write from a place of understanding—where do my experiences
overlap with this character’s? If I haven’t gone through exactly what they
have, what comes close? What did it feel like to be there? After really good
days and really bad days, I take a lot of notes about what happened and how I
felt.

What got you
interested in your field?  Have you
always wanted to be an artist?

I’ve been writing since elementary school,
but it was mostly something I did for fun. I took Creative Writing classes all
through high school and majored in English in college. After I graduated, I
realized there weren’t many fictional partnerships that reflected my
preferences or my experiences. I found the undercurrent of sexual tension
between would-be romantic partners to be alienating and sometimes
uncomfortable. So I started writing the stories I wanted to read.

While my writing is not what I want to depend
on for a living, it is a vital part of my life. I love the puzzle of crafting a
story from scraps of lived experience and fictional inspirations. Writing also
helps me validate who I am and how I feel; it’s a privilege to know that my
stories help other people, too.

Do you have any kind
of special or unique signature, symbol, or feature you include in your work
that you’d be willing to reveal?

I love mythological and literary
symbolism, so there are almost always elements of that in my stories, such as a
scar used as a symbol of a character’s triumph over adversity or an oblique
reference to the “eating of the pomegranate seeds” in the Hades/Persephone
myth.

What advice would you
give young aspiring artists?

You’re the only person in the world uniquely
positioned to produce the work that 100% appeals to you in form and content.
Work on what makes you happy.

Conversely, if you don’t enjoy what you’re
doing or you find that you’re bored with the piece, then take a break and
don’t feel bad about taking a break.
You’re a human being, not a machine!
Treat yourself kindly and you’ll come back to the work when you’re ready.

ASEXUALITY

Where on the spectrum
do you identify?

Asexual and sex-repulsed as hell. I’ll say
that I’m biromantic, but my take on romantic love is best described by that
Pepe Silvia screenshot from It’s Always Sunny in Philadelphia.

Have you encountered
any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I’ve worked in public libraries for the
last three years, and I haven’t experienced any prejudice from any of my
coworkers, thankfully! But I’m also not really open at work (either about being
ace or about being bi), so that might be part of it.

The only issue I’ve had has been that I
have a really hard time shelving titles in the romance section. The covers make
me kind of queasy (no one on them is wearing nearly enough clothes), so I just
avoid working in that section as much as possible.

What’s the most
common misconception about asexuality that you’ve encountered?

On a general level: it’s a phase and
something we’ll grow out of, or that there’s something inherently childish
about it as an orientation.

On a personal level: being asexual means
that I’m inherently not interested in (or incapable of having) a committed
partnership with another person.

What advice would you
give to any asexual individuals out there who might be struggling with their
orientation?

Where you are and how you’re feeling is
okay! Give yourself space to figure out how who you are and how you feel. Don’t
let anyone convince you that your truth isn’t a valid truth.

Finally, where can
people find out more about your work?

https://ewambheim.wordpress.com/ is the hub for my published work. I have
one short story there that you can read for free as a PDF, and it also includes
links to the Amazon pages for Wolves in the Fold and More Than Enough.

https://ajumbleofpages.tumblr.com/ is the Tumblr I use for sharing writing
updates.

Please also check
out the Goodreads page for More Than Enough: https://www.goodreads.com/book/show/36327532-more-than-enough

Folx have left some very kind and
heartfelt reviews there and on its Amazon page!

Thank you, Elizabeth, for participating in this interview and this project. It’s very much appreciated.

Interview: Zoe

Today we’re joined by Zoe. Zoe is a wonderful young up and coming author who writes YA and middle grade fiction. She has drafted three novels, all are in the genres of supernatural and magical realism. They feature a diverse cast of characters, most of them are LGBTQIA+, the kind of characters Zoe has often wanted to see in the books she was reading. It’s clear she’s a very passionate and dedicated writer with an incredibly bright future ahead of her, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about
your art.

I write young adult/middle grade books that could
also count as magical realism or supernatural. My current project centres on
different supernatural/paranormal beings such as angels, demons, vampires,
sirens etc. It is pretty diverse compared to a lot of books I’ve read recently,
and includes a gender fluid vampire, a pansexual warlock, an aroace demon in a
queer-platonic relationship, a bisexual demon, a biromantic angel, a lesbian
werewolf, an aroace fae who is sex and romance repulsed (There are others, as well
as heterosexual characters.) It also includes all the struggles they have to
deal with because of their sexualities and genders, as well as their
supernatural race. (While also trying to stop a very evil woman from taking her
revenge out on the whole world)

I thought it should be a bit more diverse than the
other young adult/middle grade books I have read because to me, having two or
three LGBTQIA+ characters in an entire 16 book world seems very unrealistic. At
school, I had at least three or four LGBTQIA+ kids in each class I went to for
every lesson.

What inspires you?

Usually, books I’ve read. I didn’t really know
what to write about to be honest, before I started. But then I read a few young
adult books of the same type I wanted to write and something clicked. With
every book I read, I had a new idea for something that could happen. Of course,
I didn’t steal from the books. What I mean, is that I could picture how old
spell books looked, and realised a King would probably care more about having a
son for an heir than a daughter. This helped me picture a possible scene for an
argument between a father and daughter, in which this point could have been
brought up.

Also, music inspires me a lot. I always listen to
music. Classical pieces, soundtracks from movies, actual songs even musicals.
Whatever it takes to give me some inspiration, I even sleep while listening to
music to help me better picture what might be giving me trouble when writing.
Think of it like writing fanfiction in my head, of my own stories, while I try
to sleep.

What got you
interested in your field?  Have you
always wanted to be an artist?

I have always loved reading, and throughout
primary school (ages 3-11) we had a lot of opportunities to write our own short
stories in class. I loved it, and thought it was fun. I didn’t know I wanted to
be a writer until a few years ago when I discovered NaNoWriMo (I won) and
realised how fun writing could be and got back into it.

Do you have any kind
of special or unique signature, symbol, or feature you include in your work
that you’d be willing to reveal?

I haven’t done the math, but there’s roughly the
same amount of LGBTQIA+ characters as there are heterosexual characters (not
counting small children). In any book I will ever write, I will always try to
keep it as close to 50/50 as I can, because that is the most realistic figure.
There’s also hardly ever any angst revolving around romance, or any explicit
stuff because I strongly dislike it and have no time for that nonsense of “he
loves me, he loves me not.”

What advice would you
give young aspiring artists?

Don’t stop writing. If someone says you write too
much, or you should spend more time doing something that benefits them, don’t
listen and keep writing. I was told that I spend too much time reading and
writing, the only two things I do for fun, by my family who wanted me to
essentially become a third parent to my brother who is only 2 years younger
than me. It upset me, and I stopped both. I didn’t read anything for ages, and
eventually forgot about my writing for a few months. It’s good to take a break,
but on your terms, or as close as you can get.

I still struggle trying to get into writing again,
because I feel like it will be hard. Because I don’t remember what I was going
to do with this sentence, or because I can’t remember what that character looked
like or if they are even in this book. Don’t let anyone – and I mean anyone –
tell you that it isn’t worth it. Write for you.

ASEXUALITY

Where on the spectrum
do you identify?

I identify as a sex and romance repulsed aroace,
and I experience aesthetic attraction. I also identify as pan because my
aesthetic attraction can be to anyone of any gender.

Have you encountered
any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

I haven’t experienced any. However, when I was
talking to my best friend and fellow Asexual about some of the characters,
trying to work out a scene, I mentioned they were both Aroace. I also have an
ace-biromantic character not in that scene. She asked “That makes three on the
Ace Spectrum, right? Isn’t that a bit much?” No. it is not “a bit much” because
I know several asexual people online, and together we make two. In real life,
in a world with billions of people, at least 1% of which (7 million I think
total) asexuals, it makes sense to have a few who know each other. She knew
this, it was just more of shock at seeing more than one Ace character in a
single book, and she wasn’t being mean or anything.

What’s the most
common misconception about asexuality that you’ve encountered?

I have several, and they are all from my best
friend’s ex-boyfriend, although I have heard other people say stuff along these
lines too.

  • (asexual refusing to have sex with her boyfriend because
    she’s a sex repulsed asexual) “But biologically speaking everyone needs sex.” –
    This isn’t true. I’ve heard it can be fun, great, stress-relieving, and a bunch
    of other positive things from people who continuously talk to me about it even
    when I tell them not to. But biologically, you don’t crave it. You don’t die
    without it. Biologically speaking, it is how babies are made. Nothing more.
  • “You’re not asexual because you don’t need to
    photosynthesize” – hahaha, no. he said this sincerely, and he meant this to
    hurt. It isn’t a joke. There are multiple meanings for different words in the
    English language. “My nose is running” does not mean you’re nose is in fact
    running down your face and about to make an escape to go join the party next
    door.
  • “Asexuality isn’t a thing. It’s just an excuse. You’re a
    lesbian” – yeah she’s an Aroace lesbian, but she didn’t know it at the time.
    She’s still aroace. It doesn’t matter what else you identify as, if you think
    you are on the spectrum, no one can invalidate you like this. Asexuality is a
    thing. It is also annoying to hear this several times in the same conversation.

What advice would you
give to any asexual individuals out there who might be struggling with their
orientation?

Asexuality, and the whole spectrum, is a thing.
Aromanticism is a thing. Aroace is a thing. You can be both, you can be one or
the other. You can be in a qpr, you can be single forever. You can have a
partner, or not. You can be a third sexuality on top of this. You can hate
sex/romance with a fiery passion or you can still enjoy it. Don’t let
uninformed people try to tell you how you feel, because the person who knows
you best is you. And if this means having your aroace-pan awakening at 2am and
grinning like a fool for three days then so be it. Because you deserve to be
happy. If someone you love says the words “but biologically-“or “you aren’t
ace/aro” or any variation of “it’s a fad/you just want attention.” Even after
you’ve explained it to them? Even after you’ve given them a chance to learn
about your orientation? Get rid of them because you can do better. Any loved
one who forces you to ignore how you feel, or invalidates you, or pressures you
into things you don’t want to do, is not worth your time.

When you come out to people, be ready for the
inevitable vocab lesson, but don’t be upset about it and if they ask a lot of
questions, try not to be offended. In all likelihood, they have no idea what
any of this means because when they were growing up it wasn’t as widely known.
Take a few minutes to explain. They might get it, they might not. They might be
supportive, they might not. But at least they know. And if they get confused
somehow and think you just came out as a lesbian, please, for the sake of your
sanity, correct them. Do not let them think you and your best friend are
lesbian lovers unless you, for some reason, want them to think that. It is
about what you are comfortable with.

Tell the person you are dating what your
boundaries are, or what you are uncomfortable with. For example, I personally
despise all physical contact with all but 2 people. Maybe they can work their
way in, but for now, tell them. Don’t let yourself be uncomfortable just so you
don’t have to have the awkward conversation where you tell them you don’t want
to be kissed or you don’t want to have sex. And if they don’t respect your boundaries,
get rid of them. A person who is willing to just be platonic cuddle buddies
with no pressure on either side is much better than a person who refuses to
understand your orientation and the things you don’t want to do.

Also, don’t listen to aphobes, at all.

Finally, where can
people find out more about your work?

I haven’t published anything anywhere, but I’m
always up for questions about my work in progress, or anything to do with
writing (or my orientation really). My Tumblr is at solangelo3088.

Thank you, Zoe, for participating in this interview and this project. It’s very much appreciated.

Regular

Interview: Reimena Yee

Today we’re joined by Reimena Yee. Reimena is a phenomenal visual artist and writer whose graphic novel, The Carpet Merchant of Konstantiniyya, was recently nominated for an Eisner Award. Reimena has done a bit of everything, but webcomics are where her focus is at the moment. Much of her work is rooted in an ace POV and many of the characters she writes are asexual, including the main character of The Carpet Merchant. How cool is that!? Reimena is a talented and dedicated artist, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about your art.

Heylo! I’m an artist, writer and designer. I’ve worked on all kinds of projects, from game design, clothing collaborations and editorial illustration, but I spend most of my time developing comics. I’m the creator of two webcomics, The World in Deeper Inspection, and The Carpet Merchant of Konstantiniyya, which recently was nominated for the Eisner Awards.

I’d consider myself a visual problem solver – I provide artwork that my clients want, whether it’s something personal like a wedding card or a commercial thing like a game. If I’m not occupied working on solutions, I’m telling stories.

What inspires you?

I’ve a deep passion for the world’s history, art and cultures. Learning is what inspires me. It’s fascinating to think about the lives and stories of people back then, and how they expressed themselves through artwork and literature.

What got you interested in your field?  Have you always wanted to be an artist?

I’ve always been doing some form of art and storytelling throughout my life; if not a dominant pursuit, it was something that occurred at the periphery. It was only recently that I decided to commit to it as a career, after half a life of pursuing science and academia.

Do you have any kind of special or unique signature, symbol, or feature you include in your work that you’d be willing to reveal?

Not really. My work is all over the place, in the sense that you can see what is my latest obsession at the time. Lately, it’s tapestry and florals, but I want to progress to something with a more Malaysian flavour.

What advice would you give young aspiring artists?

I’d recommend finding a passion, interest or even side gig that isn’t art-related, or as removed from your art specialisation as possible. For example, sports, knitting, cooking, reading, etc. Having something separate, especially if you don’t monetise it, helps in establishing balance and perspective in your life, as doing only one thing for the rest of your time can affect you mentally and emotionally.

ASEXUALITY

Where on the spectrum do you identify?

Probably closer to demi, but if asexuality was a black-white spectrum, I’m a dark grey.

Have you encountered any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Personally I haven’t had any issue. I rarely ever talk about asexuality or sexuality. I only speak about myself as ‘queer’, which is true due to being non-binary, and my biromantic interests (disclaimer: more complex than this).

BUT there has been some feeling in the field that asexuality, along with bi/pansexuality, and other so-called smaller identities, have been looked down upon as identities that don’t experience the same kind of trauma or oppression as the more prominent identities. This logic (which needs to be unpacked for its problematic implications) skews the community’s ability to be a safe space.

How I handle that is to just to do good work. Hopefully, by being myself and making work I believe in that also happens to include aces, it normalises asexuality as an identity that can just exist.

What’s the most common misconception about asexuality that you’ve encountered?

There’s just a general misunderstanding of what asexuality is, and how it is a nuanced and complicated experience that differs even between aces. It doesn’t help that there are parts of the ace community that adopt puritan, conservative language to control other people’s expression of queerness. Having such a voice be the dominant one narrows other’s view of what asexuality can be.

What advice would you give to any asexual individuals out there who might be struggling with their orientation?

There’s no one-size-fits-all solution, but it helps to think of your asexuality (however it expresses itself) as part of the large, varied, diverse, individualised experiences of being human. The bigger your conception of what being a person is, the easier it is to accept your unique brand of asexuality, alongside others’, as a normal, human thing. And you don’t have to be asexual, or strictly a particular kind of asexual, forever either – things can change, morph, shift, be more complicated – but you’re still a valued human with talents to contribute to society.

Finally, where can people find out more about your work?

My website is reimenayee.com

I post a lot of my art, and talk aplenty on Twitter (at reimenayee)

A more curated experience is blog.reimenayee.com

You can read my webcomics at alcottgrimsley.com

At the moment, The Carpet Merchant has a crowdfunder to publish a hardcover copy of Vol I. If you want to buy a book, head on here: https://unbound.com/books/the-carpet-merchant-voli

Thank you, Reimena, for participating in this interview and this project. It’s very much appreciated.

Interview: Anne Hawley

Today we’re joined by Anne Hawley. Anne is a phenomenal novelist and editor who writes queer-themed historical fiction. She has a novel entitled Restraint, which features an ace secondary character. Anne is currently working on a new historical novel that features an ace protagonist, which is exciting (we need more historical fiction featuring aces). It’s clear she’s a talented and passionate writer who loves what she does, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about
your art.

I write novels featuring queer characters in historical
settings, exploring issues of identity and acceptance. I’m also a Story Grid
Certified fiction editor, helping other writers shape their novels and
screenplays.

What inspires you?

People’s individual search for wholeness and
self-acceptance. The search for meaning. My stories revolve around people on
spiritual journeys, and my editing work is focused on helping writers find and
tell the story that’s in their heart to tell.

What got you
interested in your field?  Have you
always wanted to be an artist?

I’ve been writing since I could read. I started my first
novel when I was nine. I was inspired by fantasy novels and wanted to create my
own worlds.

Do you have any kind
of special or unique signature, symbol, or feature you include in your work
that you’d be willing to reveal?

I always name something after a notable feature in my
hometown of Portland, Oregon USA

What advice would you
give young aspiring artists?

If you’ll permit me to change the question, I’d like to say
something to aspiring artists who may not have started young, or aren’t young
anymore. Ageism is real and insidious in our culture, and it has a huge
silencing power. Just as the dominant culture would still prefer it if you were
allosexual and cisgendered (though thank goodness that’s changing), it would
like you to be silent and invisible if you’re not young. If you have a story to
tell, tell it.

ASEXUALITY

Where on the spectrum
do you identify?

Aromantic asexual. I think “autochor” is probably a term
that applies to me.

Have you encountered
any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

There’s not much ace representation yet in fiction, and as a
person who came to the identity late in life, I’m still working to change my
own ingrained belief that “nobody” wants to read stories without sexual
tension, or about individuals who are fulfilled without romance.

What’s the most
common misconception about asexuality that you’ve encountered?

That asexual people don’t really exist, and that people in
my age group who claim that sexual identity are simply resigned to being “too
old” for love or sex–or that we’re some sort of holdover from an earlier and
more prudish, sex-negative era. We aren’t.

What advice would you
give to any asexual individuals out there who might be struggling with their
orientation?

Many, many people in older age groups like mine have never
even heard of asexuality. If you’re like me, hearing about it at a late age
might create a real internal struggle, especially if you’ve given a lot of
energy over the years trying to conform to old cultural standards of “normal”
sexuality.

It helps to read as much as you can about all the nuances in
the spectrum of asexuality, and realize that it’s okay to try on different
names and labels. It might take a while to feel at home with one or another of
them. But you might also find, as I did, that little by little embracing
asexuality solves so many mysteries of your life.

Finally, where can
people find out more about your work?

https://annehawley.net

Thank you, Anne, for participating in this interview and this project. It’s very much appreciated.

Interview: Sarah Viehmann

Today we’re joined by Sarah Viehmann. Sarah is a phenomenal author whose debut novel, Unrooted, is scheduled to be released this winter. Unrooted is a retelling of Snow White that features two protagonists on the ace spectrum. When she’s not writing novels, Sarah frequently blogs about fairy tales and sometimes about asexuality. It’s clear she’s a dedicated and passionate writer, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about
your art.

I am a novelist writing adult fantasy, a series of fairy
tale retellings beginning with Unrooted,
debuting Winter 2018 with REUTS Publications. The first book retells the “Snow
White” fairy tale and features protagonists on the ace spectrum, along with
other LGBT+ characters, disabled characters, and characters of color. Unrooted is the first in a series of
five books called The Iridia Series.

What inspires you?

I am inspired by the human impulse that drives us to tell
stories. How do we use stories to communicate deep needs within the individual
and the community? How do stories changes based on who is telling them? How
have stories changed and how will they continue to change in the future? My
fairy tale retellings seek to explore, if not answer, these questions.

What got you
interested in your field?  Have you
always wanted to be an artist?

When it comes to fairy tales, I was introduced to them by my
father reading me Three Billy Goats Gruff
and similar fairy tales before bed at night. I also frequented the local
library and always went directly toward the 398.2 section where fairy tales are
housed. As for writing, I tend to joke that I’ve been writing since I could
hold a marker, but that really isn’t too far off from the truth! I’ve always
been inventive and a lover of words, so combining those two things into writing
seemed to be incredibly natural for me.

Do you have any kind
of special or unique signature, symbol, or feature you include in your work
that you’d be willing to reveal?

Oh goodness … I’m not sure how to best answer this. I
think the themes that appear most frequently in my work include mother-daughter
relationships, women who have lost and regain their voices, and attention to
language. There are also many elements from my academic study of literature
that appear in my work, such as structuralism and mise en abyme (the mirror in the text), and those who might be
familiar with such ideas should be able to pick them out.

What advice would you
give young aspiring artists?

Do it, and do it for yourself. Disregard any thoughts of
“what if no one likes it?” It’s yours to
like, and what other people think only matters once the work is done and/if you
decide to share it. Don’t let the input of others affect your creative process,
because then the work won’t be true to you.

ASEXUALITY

Where on the spectrum
do you identify?

I identify as asexual and grey-biromantic. The latter part
of that is more nebulous for me and I slide around a lot. I tend to find
cis-women and nonbinary people more aesthetically attractive than cis-men, but
that could be a matter of circumstance than anything else!

Have you encountered
any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Yes. I once pointed out amisia in a very popular book series
that appeared in the preview a few days before the newest book release. I spent
a weekend fending off aggressive anons on tumblr telling me I’d read it wrong
and I shouldn’t be upset by it. It’s difficult being in the minority of writers
and readers who can and do point out things like that in published writing (and
that’s not the only example). I still find it very important to point these
things out so readers and writers alike learn, but it’s always a little
uncomfortable having to be That Person. In addition to that, I try and model
positive ace and aro representation in my own writing as a model for what I as
an ace and grey-ro person would like to see in writing.

What’s the most
common misconception about asexuality that you’ve encountered?

Recently, I think it’s the idea that ace people don’t like sex or are disgusted by it. That’s
not the experience of all ace people, and it shouldn’t be a stereotype. That
said, the experience of those who are sex-repulsed
should be respected.

What advice would you
give to any asexual individuals out there who might be struggling with their
orientation?

It’s okay to try on labels to see what fits. You’re not
betraying anyone by adjusting the label over time to figure out what fits you
best. I had to play around with my romantic orientation a lot before I decided on one, and I’m still not wholly committed to
it. Also, seek out other ace folks, because on the whole I find we’re an
incredibly kind and welcoming community willing to help you figure things out
if you have questions.

Finally, where can
people find out more about your work?

My official website is www.sarahviehmann.com,
but I’m most active on Tumblr (sarahviehmann.tumblr.com)
and Twitter at SarahViehmann.
You can also find Unrooted on
Goodreads! Please stay tuned for its release and other exciting things leading
up to the release date!

Thank you, Sarah, for participating in this interview and this project. It’s very much appreciated.

Interview: Lauren Hemphill

Today we’re joined by Lauren Hemphill. Lauren is a wonderful author whose novel, Viridis, is available for pre-order. She has created a sci-fi narrative revolving around an aromantic asexual character, who is supported by numerous LGBT+ characters. Lauren has written the characters that she wished she had growing up. It’s clear she’s a dedicated and passionate author with a bright future, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about
your art.

My work is primarily fiction writing, specifically sci-fi
and fantasy. I focus on themes such as gray morality, loyalty, and friendship.
I also tend to write LGBT+ characters, with a focus on aro-ace orientations.

What inspires you?

Music tends to be what inspires me most, with instrumental
songs from various soundtracks being what I write to most. Excellent
storytelling by fellow writers also pushes me to do better, be it T.V. shows or
other novels. Seraphina, Orleans, and The Uglies being some of the novels that have inspired me
throughout my writing career.

What got you
interested in your field?  Have you
always wanted to be an artist?

Since I was a child, I have always been telling stories.
Originally, I sought to be a painter, where I could tell stories through the
canvas. As I grew, though, I found myself drawn to writing, and amazed by the
use of words and style to make a world come to life. The Uglies by Scott Westerfeld was the first novel that ever hooked
me, and is what ended up inspiring my road down writing.

Do you have any kind
of special or unique signature, symbol, or feature you include in your work
that you’d be willing to reveal?

A common theme in most of my written work is the graying of
morality. I tend to enjoy playing with the idea that not everything is black
and white, that good people do bad things, and vice versa. I seek to show the
world as complex in my writing as it is in real life.

What advice would you
give young aspiring artists?

Advice I would give fellow artists is this: not everyone
will believe in you. Throughout my time as a writer, I have had many people
doubt my ability to be published and be successful. In those times, remember
how far you’ve come, remember that you need to be your biggest fan. All the
best things in life are hard to achieve, but I would encourage all of you to
continue your art, because there are people out there that need it more than
you could ever know.

ASEXUALITY

Where on the spectrum
do you identify?

I’m an aromantic asexual.

Have you encountered
any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

Luckily, I have seemed to dodge most prejudice within the
writing field. I’ve found a good group of friends and writers who support what
I’m doing, and haven’t had to face writers being ignorant of the orientation. I
have encountered people in the outside world who have disliked my inclusion of LGBT+
characters and believed asexuality to be a phase, but writers themselves have
come across as inclusive and kind in my experience.

What’s the most
common misconception about asexuality that you’ve encountered?

I’ve heard most often that asexuality is a phase, or
something that will pass when I get older. As I have held no interest in any
gender in either a romantic or sexual sense for over twenty-four years now,
however, I don’t see legitimacy in the claim.

What advice would you
give to any asexual individuals out there who might be struggling with their
orientation?

I would tell my fellow aces that it’s okay to not be sure,
and it’s okay to take things slow. You should also know that you’re not broken.
I know that’s common rhetoric within the community, but please believe all of
us that you’re truly not broken. It can be hard accepting your orientation when
it’s different than what the world would like to accept, but there’s a
community where you belong, and there’s a community that will support you as
you figure yourself out. Take your time.

Finally, where can
people find out more about your work?

My first novel, Viridis,
featuring an aro-ace lead and a cast of LGBT+ characters in a sci-fi universe
is for preorder now on both Amazon and Barnes and Noble! Searching my name on
either website will bring up my novel, or you can follow this link:

http://a.co/6fHcDAC

My website, winter-publishing.com,
is occasionally updated with writing WIPs and various other projects, and my
YouTube channel, TheKnightmare,
is a place where I review indie animated series. You can also follow me on
Twitter at knightmarelair and
DeviantArt at knightmarekm.

Thank you, Lauren, for participating in this interview and this project. It’s very much appreciated.

Interview: RoAnna Sylver

Today we’re joined by RoAnna Sylver, RoAnna is a phenomenal author, who has authored such books as Chameleon Moon and Stake Sauce. One is a hopeful dystopia involving superheroes and the other involves punk vampires, which sounds awesome. When they’re not writing, RoAnna enjoys visual art and does a lot of digital painting. They have painted most of their own cover art and hope to get into coloring work for comics, including webcomics. It’s clear they’re an incredibly passionate artist with a great drive, as you’ll soon read. My thanks to them for taking the time to participate in this interview.

WORK

Please, tell us about
your art.

Hi there! So, most people probably know me by my writing; I
write the Chameleon Moon and Stake Sauce series,
hopeful-superhero-dystopian and queer-punk-vampire books, respectively. But I’m
also an artist, I design and paint the majority of my own covers, and I’d
really like to talk more about visual art for a change.

I love digital painting, and find (most of it) really
relaxing and soothing, which is very helpful for when my brain goes into
nonverbal mode or I’m just feeling burnt out on talking/writing. Which is
pretty often.

I’m definitely going to continue painting my own book covers
for as long as I can, and have done commissions for a few people too. I love
them, and keep meaning to do more. I’d also love to get some work as a colorist
for comics (including webcomics) because I find coloring especially relaxing
(and I’m good at it darn it!).

One other cool thing, on the subject of ace stuff
specifically, I recently had a journal-type article Thing published in The Asexual, about how important
representation in mainstream stuff is (and how much I love Todd Chavez from Bojack Horseman). So check that out if
you’d like!

What inspires you?

So much. Music, bits of conversation I overhear, people just
living their lives. But most of all I think is reading or watching movies and
seeing what I’d do differently. Usually, that means “less marginalized people
die, and more get to be the heroes.” If that sounds like fix-fic, that’s
because it is! I used to write so much fanfiction before I started my own
stuff. I STILL DO, but I also used to. (Thanks, Mitch Hedberg!)

Honestly, I hate when people crap on fanworks so much, both
art and writing, because not only are they a great starting point (I’ve written
more than one thing as essentially fanfiction AUs. I doubt anyone will ever
guess which~), but they’re entirely valid works on their own. And they inspire
the hell out of me, both writing my own and reading others’.

Also, it’s not as popular to say, but… spite is a hell of
a motivator. Wanting to prove people wrong who’ve said I can’t do something, or
people like me (queer, disabled, etc.) don’t belong in publishing/the art
industry/life. Knowing bigoted assholes hate what I’m doing is an incredible
accelerant. Just warms the cockles of my heart, it does.

What got you
interested in your field?  Have you
always wanted to be an artist?

I joke that I just have a lot of emotions and I need
different ways of letting them out—writing, drawing, singing—or I’ll explode.
And I’m actually only about 30% joking about that, really. I am blessed/cursed
with glorious and overwhelming feels, and if I don’t have an outlet for them, I
tend to get paralyzed with…over-feeling. I need to express them like releasing
internal pressure with a steam valve.

Unfortunately, I also tend to go nonverbal on a pretty
regular basis from any number of reasons (illness flares, pain, various brain
weird nonsense) so sometimes I’m physically incapable of writing. But I still
have emotion I need to express, or else the pressure just builds up anyway. It
doesn’t care that I don’t have words. That’s when the drawing or singing comes
in—when writing brain shuts down, art or music brain takes over.

So yeah I guess I have always wanted, and needed, to
be an artist.

I used to be a much more physical one, though. I have a
degree in dramatic performance and used to do a ton of musical theatre. Nothing
comes close to being on stage, and I was convinced that was it for me, that was
why I was here and what I was supposed to do with my life. But then I got hit
with several debilitating health conditions at once, and never really
recovered. I haven’t been on stage in years, and probably will never again. But
that’s okay. I still have writing and art, and on an extremely good day,
music. Expression is still the most important thing in my life. Without it, I
wouldn’t have one.

Do you have any kind
of special or unique signature, symbol, or feature you include in your work
that you’d be willing to reveal?

For my writing, the Themes are definitely found family,
queer and disabled people kicking ass, and trauma healing… the ‘secret
symbols’ tend to be really nerdy references. Usually Star Trek and/or Greek myth. Go figure.

For art, I don’t really have a watermark or anything, though
I’ll usually sign a major work. Trademark-wise though, I love the idea of
making digital art look as traditional as possible, so if you look at something
and think it’s an actual watercolor and not a digital one, I’ve done my job
right~

What advice would you
give young aspiring artists?

For commissions, figure out about how long it takes you to
do a thing. Timing yourself/logging time is good. Then find out the minimum
wage for your state and charge *at least* that per hour.

I saw a really good tweet a while ago saying you should
charge at least 3x minimum wage for commissioned art, because 1) it’s your time
and energy, 2) art is a specialized skill that you’re applying to this
individual request, not a standard product, and 3) you’re your own boss here
and paying for your own materials/food/life.

I don’t know if I could ever do that, but I’m sticking to At
Least Minimum Wage for myself. I still feel a lot of guilt (as I do asking for
money ever even if I’ve worked for it) but honestly, selling your stuff for
super cheap really does devalue the whole market and cheats both you and other
artists out of hard earned cash. I know it’s different when you’re just
starting out and trying to get established, but really, once you are… your
efforts are worth so much more than the bare minimum, but that’s a place
to start.

ASEXUALITY

Where on the spectrum
do you identify?

Biromantic ace, and definitely on the aro spectrum too. It
took me a long time to figure this out, in all its
maybe-seemingly-contradictory glory. I’ve never really experienced sexual
attraction to a (real) person. (“Real” because there are some fictional
characters who could get ittttt) But I’m romantically attracted to women,
agender, and nonbinary people… but like I said, definitely aro-spec too, so
this happens much less than you’d think. Polyamorous too; I have queerplatonic
partners as well as one romo partner~

In short, “potentially attracted to a lot of people on
paper, but not in practice!”  It’s one of
those “sounds very complicated, is actually very simple” things. Except for
when it actually is very complicated. (What the hell is attraction? I don’t
know it.)

Have you encountered
any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

…Never so much as during Pride Month. It’s really sad, but
entirely true. Usually I manage to stay away from the Ace Discourse and keep it
to a dull roar in the background of my life, but whenever the spotlight is on
The Queer Community in general, that ugly particular head rears once again, and
it’s very hard to avoid.

But there’s social media Discourse (harmful on its own) and
then there’s creative field prejudice or ignorance, and that’s arguably even
more annoying and damaging. Luckily, most of mine has been confined to the
occasional shitty comment about my work. I generally don’t read reviews, but
sometimes someone will point one out to me that’s particularly… not bad in a
‘didn’t like the book’ sense (I don’t care about those, for real), but a ‘wow,
this is a dangerous and bigoted viewpoint actually.’

When people “can’t relate” to asexual (and aromantic, and
neurodivergent, disabled, any other marginalization) characters, that tells me
right there that I’m not going to be able to trust them. If someone slams a
book or marginalized character for displaying characteristics of their
marginalization (mentally ill people will act mentally ill; ace people will act
ace), and dislike them specifically for what makes them them… that’s a Red
Flag right there.

I don’t really “handle” that. I don’t comment (and you
shouldn’t either, ever), but I take notice of who said the bigoted thing, and
remember. Then I keep writing.

What’s the most
common misconception about asexuality that you’ve encountered?

Oh lord, the aro/ace conflation thing. Where people think
“asexual” means “aromantic,” and “aromantic” means “what is that, I don’t know
what that is, how is that even a thing.” You can absolutely be asexual without
being aro, or aro without ace, or a blend of the two that fluctuates over time
and you have no interest in categorizing.

The most common individual misconceptions are definitely the
“unfeeling, inhuman, dead/lifeless, passionless, robotic, forever alone” ones,
because surely it’s romantic love and sex that makes us human, not anything
else. Nope, that’s it, that’s the most important “universal” experience. Ever
notice how it’s usually the same people who scream “don’t reduce our identities
to one thing/define us by that!” Who then go on to do exactly that for others?
There’s a lot of TERF overlap here too.

I have to say though, the special poison aimed at allo
aromantic people is really something else; apparently just by being sexually
but not romantically attracted to someone, you’re a horrible abuser/predator.
(This is, of course, not true, and there are such things as attractions and
bonds that are not romantic. The small-minded tunnel vision is exhausting.)

So yeah, there’s a lot, and I have absolutely no interest in
getting involved in Discourse of any kind anymore. No spoons left for that at
all.

What advice would you
give to any asexual individuals out there who might be struggling with their
orientation?

There’s nothing wrong with you, first off. You might feel
like there is, and people might decide to be gigantic asshats and say that
there is, but there isn’t. There isn’t, regardless of how you end up identifying,
even if that’s not ace at all. Try different identities out like clothes until
you find one that fits. If none do, keep trying, or throw them out. It’s your
“body,” and your identity and life. Use what serves you and makes you happy,
not what someone else wants you to.

You’ll know when it’s right. When I finally hit on exactly
what my gender and attraction type was, it felt like releasing every clenched
muscle all at once. My constant, constant anxiety was silent for once,
the panic in my head finally shut up. It was the absence of
strain and exhaustion and tension and fear that was shocking. I hope it feels
like that for you. The cessation of pain is a hell of a drug, and we don’t get
it nearly enough.

Also, you’re totally queer if you want to be. If someone
says you aren’t because you’re ace or aro, that person is not your friend. You
don’t HAVE to identify as queer, the way some nonbinary people don’t identify
as transgender, but you absolutely can, and screw anyone who says otherwise.
(Or don’t. Especially if you’re sex-repulsed. *weak rimshot*)

Finally, where can
people find out more about your work?

I have an Artstation portfolio over here (if you need a
colorist and/or inker, talk to me!) – https://www.artstation.com/roannasylver

All of my books are on Amazon – https://www.amazon.com/RoAnna-Sylver/e/B00OI321DO

And most are available through other places like B&N and
Kobo, which you can find at their universal links at my Draft2Digital page – https://books2read.com/ap/RWk0PR/RoAnna-Sylver

But by far the best place to support me is my Patreon. For
as little as $1 a month, you can get Tons of Chameleon
Moon
bonus content—advance
stories, art, lots of stuff—and exclusive looks at what I’m doing next (Like my
upcoming interactive fiction portal-fantasy romance, Dawnfall for Choice of Games)!
And also make me a little more secure as a disabled creator. patreon.com/RoAnnaSylver

Stake Sauce/Death Masquerade also
has one over here, for if you enjoy monthly fiction about queer vampires! patreon.com/ModulatingFrequencies

Also, if you want to say hi on Twitter, I’m at RoAnnaSylver!

Thank you, RoAnna, for participating in this interview and this project. It’s very much appreciated.

Interview: Isis E. Prosser

Today we’re joined by Isis E. Prosser. Isis is a phenomenal writer and jewelry maker who I met at Indy PopCon. I was blown away by the gorgeous jewelry she made and then she told me about the web novel she was working on entitled Lamenting City (chapters are posted on her main blog: https://lairofthestormdragon.com/). Not only does it sound positively fascinating, but it’s an ownvoices work. The main character of the series is an ace lesbian named Axel and there are also two minor asexual characters. I highly recommend checking it out. It’s clear she’s a dedicated and passionate author, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about
your art.

I’m a writer and a jewelry maker. When it comes to my
writing, I tend to focus on humour and emotions, lots of humour and emotions.
Sometimes I write purely humourous stories and sometimes I write purely
emotional (whether angsty or uplifting) stories. Longer stories tend to swing
between both extremes and I like to think the more I write, the better I become
at blending the two together. I write a mix of fanfiction and original stuff,
and I’m also not the greatest at updating either in a timely fashion (sorry!),
but I am trying and getting better at that.

My jewelry is something I also do with my mom (she’s my
teacher!) and currently I’m focusing on Pride jewelry and fandom jewelry
(currently, Harry Potter-inspired
pieces with some My Little Pony:
Friendship is Magic
-inspired pieces coming…. eventually). I’m very new to
this craft.

In the future I’d like to make video games, too. I’ve
written scenarios/concepts and dabbled a little in RPG Maker over the years,
but haven’t yet finished a thing. Maybe one day soon I’ll have something to
show. In the meantime it’s likely the characters of those ideas will be
introduced in short stories or novels.

I’m very passionate about storytelling in general.

What inspires you?

Many, many things! From real life experiences to other
fiction, and to the beauty of the natural world and that of architecture, as
well as mythology (Egyptian mythology is my fave). I’ve also been inspired by vivid
dreams I’ve had. And my inspirations tend to shine through in my work, whether
original or fanfiction. For example, my current web novel project, Lamenting City, was initially inspired
by a dream I had that came about when I was marathoning every Zoids anime with a friend. The dream
introduced me to Axel and offered a tantalizing glimpse of her world, and
afterwards I knew I had to write it. And often times I’ll have scenes or entire
stories inspired by music I listen to.

When it comes to jewelry, I tend to find inspiration looking
at gemstones or browsing jewelry supply shops. Sometimes I also get inspiration
from media, hence the Harry Potter bracelets.

What got you
interested in your field?  Have you
always wanted to be an artist?

I’ve wanted to be writer for as long as I can remember. I’m
not entirely sure where it started, but I know it did start in some form with
kid me’s obsession with Beatrix Potter’s stories and later stuff like OT Star Wars and Disney’s Gargoyles. I would also read a lot and
then read some more, and the more I read, the more I wanted to write.

As time went on, I also noticed more and more that there
weren’t a lot of characters like me in fiction. There weren’t a lot of diverse
characters and author voices in general. So, a lot of my writing is me creating
the stories and characters I wanted to see, and to give myself a voice.

With jewelry, I played around with plastic beads as a child
but then the hobby faded for many years. Earlier this year I got interested in
it again after looking at pride jewelry and deciding I could make the types of
bracelets I wanted… and then a lightbulb turned on and I realized that, hey, if
I wanted jewelry like this, other LGBTQIANP+ folks might want it, too. And then
my love for fandom made me start slowly getting into making fandom jewelry as
well.

Do you have any kind
of special or unique signature, symbol, or feature you include in your work
that you’d be willing to reveal?

Well, looking at my writing as of 2015, dream and nightmare sequences seem to be a pretty
big thing. They appeared in my (currently unposted) Metroid fic that I wrote
for my first NaNoWriMo (2015), appeared again in my Camp NaNoWriMo project, a Legend of Spyro fanfic (I haven’t yet
posted the chapter with the first dream sequence however), and then they’ve
appeared in every NaNo project since…

I find dream and nightmare sequences really fun to write.
They’re a good way to explore the character’s mind without having to worry
about realism or even my own canon.

In general, I like to use dreams/nightmares to introduce
concepts and foreshadowing in ways that (hopefully) aren’t immediately obvious.

With my jewelry, it’s a bit hard to say since it’s all so
new to me. But I like to add a touch of whimsy to everything I create!

What advice would you
give young aspiring artists?

To not be discouraged, and to get your art out there. It can
be very daunting, yeah, I’ve been there (and in many ways still am), but your
voice is needed. Perhaps some people won’t get your story, but for the people
who do, it could mean the world.

Understand that you have room to grow, but to also be you.
Improve and become the best you.

ASEXUALITY

Where on the spectrum
do you identify?

Homoromantic/demiromantic asexual. Also sex-repulsed.

Have you encountered
any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

More times than I’d like to count, especially offline. I try
to clarify things for people who simply don’t know, but find it’s easier on my
mental health to avoid actually prejudiced people who are unlikely to change
their mind. Sometimes both of those things are easier said than done.

What’s the most
common misconception about asexuality that you’ve encountered?

The most common seem to be “Asexuals are incapable of love
in any form” and “Asexuals can’t have sex/be sex positive”. Trying to correct
either misconception isn’t usually a fun time for me, especially the latter
(where being a sex-repulsed ace with no intention of having sex gets thrown
back in my face as if it’s some kind of gotcha).

What advice would you
give to any asexual individuals out there who might be struggling with their
orientation?

That you’re not broken, and that you’re ace enough.  You’re loveable and amazing as you are, and
there’s nothing to be ashamed of.

Finally, where can
people find out more about your work?

My main home of operation is on my website/blog: https://lairofthestormdragon.com/

There I post short stories, chapters of Lamenting City, and blog posts where I yell about video games and
music.

And while there’s not as much content as I’d like (I’m
working on it!), you can find my newer fanfiction on AO3: https://archiveofourown.org/users/MetroidReploid/profile

I will be updating my Legend
of Spyro
fic (well, the first one) soon and will be adding a Metroid fic and a Star Wars fic at some point this year. I like many fandoms!

And you can check out my jewelry here: https://www.etsy.com/shop/StormDragonsWares

More designs coming soon!

Thank you, Isis, for participating in this interview and this project. It’s very much appreciated.

Interview: Sayle Owen

Today we’re joined by Sayle (pronounced
Say-lee) Owen. Sayle is a phenomenal author who is just starting out. She has already accomplished quite a lot. Sayle has won several awards and has completed two novels and two novellas. It’s clear she’s an incredibly passionate author with a very bright future ahead of her, as you’ll soon read. My thanks to her for taking the time to participate in this interview.

WORK

Please, tell us about
your art.

My “art” is the words, specifically in English. Currently,
I’ve got several Scholastic Awards to my name (three of them Silver Keys), and
have completed four (with a fifth to be finished by July) books, three novellas
and two full-length novels. The two novels are called Elemental and Tamer,
132,000 and 51,000 words respectively. The two complete novellas, The Vanished Princesses and The Silver Flame, are both around 20,000
words. The fifth book, a novella, is not yet complete and nameless, but I
estimate it will also be around 20,000 words. All of those books (in addition
to lots of other uncompleted ones) are part of one extended universe I call the
Elemental Spiral (with Elemental and
its sequel being the main series and the other books being side stories). And
since this interview is about Ace creators, I feel it appropriate to mention
that the two lead protagonists of Elemental,
Selene and Klaus, are both ace themselves (though I didn’t realize that until
over a year after it was finished, as I discovered my own aceness after it was
completed and it wasn’t until I was editing Elemental
I realized it. Additionally, I’ve written a handful of short stories and poetry
that I’m willing to share.

What inspires you?

The entire world around me. Literally, anything I see, hear,
or do may become a part of a story. But specifically, Tamora Peirce is
literally my writing hero. She is a goddess among writers and I adore her work
to no end (and may or may not own every book she’s ever written).

What got you interested
in your field?  Have you always wanted to
be an artist?

I’ve wanted to be a writer since second grade, when I first
read the Harry Potter series.
However, it wasn’t until my freshman year of high school (after discovering
Tamora Peirce, with the addition of having the most amazing Honors English
teacher) that I became serious about my desire to be an author by actually
starting to write. My draw to it is a couple of reasons. Mainly, I love
creating something that is different from my reality. Being able to control the
details (control being used loosely, as characters really do have a mind of
their own) and craft stories to entertain others (and myself) is such a
wonderful feeling.

Do you have any kind
of special or unique signature, symbol, or feature you include in your work
that you’d be willing to reveal?

I honestly work with a lot of color symbolism in Elemental, specifically with the colors
of silver, gold, and other colors like bronze, copper, and violet. I do have
one symbol, a specific kind of six-pointed star (with a very set pattern to
create it) where each point has a certain element it represents—air, water,
fire, earth, spirit, and soul. Additionally, I like working with different
kinds of magic within my universe of the Elemental Spiral.

What advice would you
give young aspiring artists?

It won’t be easy. There will be times when you can crank out
thing after thing and then it will be followed by a month of inactivity. But
don’t give up. If you’ve got a lot of WIPs, choose the one that is most
important and stick with it. Sure, start other things to get them out of your
head, but keep going back to the one. There’s very little that is more
satisfying than finishing something that took you two and a half years to complete
(*cough*Elemental*cough*). It’s so
worth it.

ASEXUALITY

Where on the spectrum
do you identify?

As far as I can tell, 100% ace. Not necessarily repulsed,
but just totally not interested. Of course, I could be grey-ace, but I’ve never
found a guy who would make that come to light. So until then, if it ever
happens, I’m Ace to the max.

Have you encountered
any kind of ace prejudice or ignorance in your field?  If so, how do you handle it?

My dad and stepmother don’t believe it’s a thing, and the
few times I’ve tried to bring it up its lead to long conversations (read: them
talking at me) about how it’s natural to have a sex drive and how I shouldn’t
be emotionally cutting myself off and whatnot. But I just stopped bringing it
up. It’s not like being ace really affects anything (not that I’m straight,
highly religious, conservative, that fact that I love writing) other than
making me come off as more mature than other people my age. I’m comfortable in
my asexuality, and my parents (though my mom does know and just doesn’t care
much) not believing it’s real or of the devil or whatever doesn’t really change
that. It’s all about having confidence that you know yourself better than
anyone else.

What’s the most
common misconception about asexuality that you’ve encountered?

People seem to keep confusing it with Aromantisicm. Like, I
can still feel plenty of emotional/romantic attraction, but I have to explain
the difference between love and lust a lot. Like dude, I’m ace, not aro.

What advice would you
give to any asexual individuals out there who might be struggling with their
orientation?

Don’t feel obligated. You are the one who decides what your
orientation is. In the long run, the only reason it matters is so you can feel
more comfortable with yourself. For me, I discovered that I was ace literally
the day before my senior year of high school (Labor Day 2017). I heard someone
talking about it and (writer that I am) decided to research it. Suddenly, a lot
of things about myself made sense—how I thought/acted growing up, the lack of
caring about sex most teens seem to think about, etc. It’s not an obligation to
figure it out. Sure, it’s nice having a name for things, but if you think
you’re ace or not, it’s up to you.

Finally, where can
people find out more about your work?

Unfortunately, I don’t have anything truly published yet (I
want to complete more of the Elemental
Spiral
before I try and publish it), I do have a website. It’s a portfolio
thing I made for freshman Honors English and have kept up since then. Please
note that it does need a pretty major redo in design for my things from last
year, but a good majority of my stuff (school English portfolios, a list of my
scholastic award winning pieces), save things from the Elemental Spiral, can be found there. Hopefully, I’ll get the Elemental Spiral published…eventually. http://sayleowen.wixsite.com/writing-portfolio.

Thank you, Sayle, for participating in this interview and this project. It’s very much appreciated.

Signal Boost: Another Book Trailer

Hello all!

April was an incredibly rough month for me and it just seemed to drag on. It was one of those months where almost everything went wrong and I was just miserable (I’m still having difficulty wrapping my head around my late friend’s passing). There was a bright spot though: I was able to collaborate with Britty Lea again to make another book trailer, this one for the 2nd book in my series.

The trailer for Through Storm and Night debuted yesterday:

I love the spookiness and I’m just super happy with how it came out (and one of my dear, dear friends, Robyn Byrd, did some of the voice over).

Britty and I have already scheduled a brainstorming session to plan the trailer for From the Ashes. I’m looking forward to that.

I know some authors follow this site. If you’re looking for a badass ace filmmaker to make a super cool trailer for your book, I really recommend Britty. She’s fantastic.
If you’re interested in commissioning Britty, check out her personal site (https://www.brittylea.com/) or her Facebook page (https://www.facebook.com/brittyleafilm/).

And, of course, if you’re interested in helping out an indie ace author, you can always pick up a copy of my books. More information can be found at my personal website (https://laurenjankowski.com/) or my publisher’s, Snowy Wings Publishing, site (https://www.snowywingspublishing.com/).

I just wanted to share this because I’m super proud of it and I really appreciate the kindness of the artists and followers this site has. You all are amazing 🙂

Thank you, everybody!